Friday, December 3, 2010

Tonight is my first Christmas concert where I am teaching a fully fledged string ensemble.

Of course, the ensemble has three people in it, and no violas, which leaves me to fill in with my awesome uneducated skill set - shut uuuuuup...

STILL, it is the first night of what has been promised to be an epic event. My university apparently holds three services over the course of a weekend, with a total of 1200 people passing through the doors over said weekend. The tickets sold out weeks ago.

On the string ensemble slice of the program: A mild-mannered version of Corelli's Christmas concerto that lasts all of three minutes, a quartet reduction of the Dance of the Sugar Plum Fairy, and an arrangement of What Child is This by yours truly. I have been informed by my supervisor that normally the attendees DO NOT CLAP, as it is a CHURCH SERVICE.

This, however, brings up an interesting point. I attended many, many church services as a child, and now performed in several as an adult. Clapping to show appreciation after a performance has seemed fairly random. Here are some observations I have made so far on the subject:

*If the piece ends quietly, applause is much less likely. The reverse is true for a piece that ends loudly.
*The quality is important. Applause happens for the very very good performances, as well as the very not so good ones. Average, middle-of-the-road performances are not usually applauded after.
*The Lutheran congregation seemed hesitant to start their applause. The Baptist congregation dove right in. This is unexpected somehow.
*Prelude and offertory music are much more quietly received, supposedly in anticipation of either the start of the service or a benediciton.
*You could miss about twenty notes in your piece and no matter what applause you get, you will get an appreciative member of the congregation who will make it a point to tell you how much they enjoyed it. They are a nice bunch.

It will be interesting to watch the collective mindset of the audience tonight. Immediately following our performance are three verses of Silent Night, during which we will be moving stuff on the stage. That in itself should be applause worthy, but usually isn't. And then follows a couple more hours where I will have to sit in the back with the students since this place is completely sold out.

On a related note, I am so proud of my kiddos. They have come a long way. And they sound pretty darn good.

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